Audio
Fred Frith’s Improvised Structures

Professor Fred Frith, a musician gifted with a unique guitar technique, can, at the interesting age of 76, be satisfied about his album “Guitar Solos”, a work that contributed significantly to redefining the possible guitar’s uses and abuses. What I am listening to, and which you see in the photos, is one of the reissues (Fred Records 2002) on CD of the vinyl originally released by Caroline Records in October 1974.

“Music is an act of transformation—air moves, waves travel, membranes vibrate, bodies are altered. When I use objects to produce sounds from a guitar, I’m also transforming them. The paintbrush, the clothes the doweling rod, the alligator clip, the ball of string, the bag of rice, chains, the tin can, these may all be familiar objects. When I use them as mediators, though, they can no longer be defined by their intended function. Instead they become magical objects with mysterious powers, and although at first you may laugh at the idea of someone playing the guitar with a paintbrush, eventually you won’t notice it any more. The brush has become, not invisible exactly, but altered beyond recognition.”

Fred Frith – On dirt, revelations, contradictions, and breathing through your elbows – Arcana V pag 131

https://neuguitars.substack.com/p/the-first-fifty-years-of-guitar-solos

INSPIRATION